golden hands

my journey to becoming an artist


Growing up, my family liked to say that I had “golden hands.”

Since the age of two, I’ve had a unique ability to draw and make things. In junior high school, a teacher encouraged me to do more with my art. This led me to take classes at the Arts and Crafts Society of Detroit, near the Art Museum and Art Institute.

In high school, I enrolled in more classes – this time at Cranbrook, a private high school that offered a graduate program in the arts. I went on to receive my Bachelor of Fine Arts at the University of Michigan, focusing on printmaking and lithography.

 

a move to the west coast

Opening a lithography studio in portland


After relocating to Portland, Oregon, I opened Harwin Studios in 1970 in partnership with my husband Fred.

My artistic journey then took a new turn, and I started working with fabric, sometimes combined with technology.

Since that time, I’ve been featured in nearly two dozen major shows and customers around the world have commissioned my work.


Learn more about my artistic origins by watching this short video on YouTube

my journey to sacred art


I began creating sacred works when my path in fine art intersected with imagery from my Jewish heritage.

I discovered that my own background in Judaism was not sufficiently developed to feel confident in the letters and imagery I was using. Knowing this, I began to study more deeply to ensure the images I created were based on tradition and the words were spelled correctly in Hebrew.

At the same time, Fred and I were raising our children in a Jewish home with Jewish traditions. I knew that our daughter would one day have a bat mitzvah which, at the time, was a new custom. With this in mind, I created special imagery for her celebration, as well as a hat that I knew would be used in the synagogue.

I also created a Torah cover to honor my parents’ 50th wedding anniversary. That cover was my first ceremonial piece to be displayed in a public setting, which set me on the path to create more installations that combined the artistic and the spiritual.

major exhibitions

Here are some highlights from Sara Harwin’s major exhibitions


   
2019

“Illuminated Letters”, Portland Winter Lights Festival window installation, OJMCHE, Portland, OR

2018

Peace and Justice: Three Lettering Traditions, joint show w/ Inga Dubay, Kanaan Kanaan,
Trinity Episcopal Church
Muslim Education Trust
Mittleman Jewish Community Center

2014

“Illuminated Letters: Threads of Connection”, Installation, Oregon Jewish Museum , Portland, OR

2006

“Threads of Connection”, joint show with Fred Harwin, Bonnie Kahn’s Gallery

2001

Works of Faith, National juried show, First Presbyterian Church, Portland, OR

1995 Liturgical Guild of Ohio, Biennial Exhibition, Capital University, OH
1993

“Contemporary Jewish Art by Jewish Artists”, Oregon Jewish Museum, Portland, OR
Liturgical Guild of Ohio, Biennial Exhibition, Capital University, OH

1991

Liturgical Guild of Ohio, Biennial Exhibition, Capital University, OH

1990 Two person show (with Fred Harwin), Artquake, Portland, OR
1991 Liturgical Guild of Ohio, Biennial Exhibition, Capital University, OH
1989 M Coe Gallery, Portland, OR
1988 Sun River Art Invitational, Sun River, OR
1987 Sun River Art Invitational, Sun River, OR
Liturgical Guild of Ohio, Biennial Exhibition, Capital University, OH
1986

Interfaith Forum on Religion, Art, Architecture, National Competition/Awards Exhibit, Magnes Museum, Berkeley, CA

1985 One-woman show, Elizabeth S Fine Museum, Temple Beth Israel, San Francisco, CA
1983 National Council/Art in Jewish Life, Juried show, American Jewish Congress, New York, NY
1982 Invitational Group Show, Boston College, Boston, MA
1976 “Rainbow Dancers”, One woman show, Gallery West, Portland, OR
1975 Four woman show, Judah L Magnes Museum, Berkeley, CA
1974

“Oregon Artists Under 35”, Invitational Show, Portland Art Museum, Portland, OR
One woman show, White Bird Gallery, Cannon Beach, OR
Annual Valley Exhibition, Juried Show, Corvallis Art Center, Corvallis, OR

Conference Exhibitor

Here are some highlights from Sara Harwin’s conference exhibits


2003 Union of American Hebrew Congregations
2002 Five Pillars of Conservative Judaism, Conference 2002, Washington, DC
1999, 2001

Union of American Hebrew Congregations

1994-1995 Rosen Group, Buyers Market, Philadelphia, PA
1993

Five Pillars of Conservative Judaism, Conference

1986-1987

Art Expo NY, New York, NY
Union of American Hebrew Congregations

1985

Art Expo NY, New York, NY
Art Expo CAL. Los Angeles, CA

Commissions

Highlights from Commissions of Sara Harwin’s work. 


Torah Mantles, Yom Chol/Yom Tov Congregation Anshei Israel Tucson, AZ
Parochet, Amud, Yom Chol/Yom Tov Congregation Shaarie Torah Portland, OR
Ark Doors (Parochet) Congregation Ahavat Achim Portland, OR
Chuppah (Wedding Canopy) Congregation Neveh Shalom Portland, OR
Torah Mantles (set of 6) Congregation Neveh Shalom Portland, OR
Elijah’s Chair Congregation Neveh Shalom Portland, OR
Torah Mantle Congregation Anshe Emet Chicago, IL
Wedding Parochet Temple Israel Portsmouth, NH
Torah Mantles Temple Beth El Chappaqua, NY
Torah Mantles Chayai Shalom Temple North Easton, MA
High Holiday Torah Mantles Chayai Shalom Temple North Easton, MA

honors

Here are some highlights from honors Sara Harwin has received for her work.


2001

Image selected for Hallmark Cards Kansas City  
1995

Honorable Mention, Liturgical Guild of Ohio, Biennial Exhibition

 
1993

National Calendar Competition (1/16 selected), United Synagogues of America

 
1987

National Calendar Competition (1/16 selected), United Synagogues of America
Award/Artistic Merit, Sanctuary renovation project, United Synagogues of America

 
1985

Image selected for UNICEF cards

 

Buy Sara’s book: Illuminated Letters: Threads of Connection on Amazon